Mid-Life Rider

rambling through mid-life on motorcycles

Mid-Life Rider header image 2

Confessions of a Technique Freak

June 29th, 2008 · 2 Comments

“Watching you ride is like watching water fall.”

As a technique freak, it might be the nicest thing anybody has ever said to me.

I’ll have to ask my shrink why, but forever I’ve been interested in technique, probably past the point of rationality. Perhaps it’s due to being a first born or some genetic trait inherited from my high-achieving parents. Who can say for sure, but my self-selected path forward invariably goes though a little town called “master the skills.”

One of my parents’ favorite stories about little me turns on a precocious three year old finding a screwdriver and reattaching all the plug covers and light switch plates after a family-legendary wallpapering of my room. I think the opportunity presented itself after a “disagreement” between my parents on some aspect of the job left a vacated room available for exploration and experimentation. Modern safety-nuts surely cringe at the idea of anyone, yet alone a little guy like me, poking about hot plugs with a screwdriver, but the story is a telling one. I was and am interested in how and why things work.

Over the years that followed, I took lessons upon lessons: swimming, sailing, judo, recorder, and piano are a few that come to mind. Later it was basketball and I am adult enough to admit, folk dancing. Later still: photography, golf, and most recently, riding motorcycles. I’m sure I’m missing some. When I say lessons, that meant group instruction, individual instruction, reading books, reading more books, going to camps . . . pretty much whatever was available.

Some of it took better, some of it didn’t. Nothing from the first list survives today in the form of any noticeable facility or even interest. I do wish, in an idle sort of way, that I could play cocktail piano . . . you know, where you sit at the keyboard carrying on idle, witty conversation with a half dozen people while effortlessly playing down the Duke Ellington songbook . . . but I’m at no immediate risk of doing anything about it.

Basketball proved an interesting study in the confluence of technique, natural ability, and confidence. Strangely, I had a fair amount of the second, which added to the first should have made me a good if not great high school player or more. It was the complete lack of the third quality that put me squarely on the bench, there to watch the exploits of largely technique-free players who played and competed with the kind of carefree abandon I couldn’t imagine. If I missed a shot, it would ruin my month. They hoisted another one next time down the court. It wasn’t until I was in my early 30s that I really came into my own, long after I stopped caring and long after my body stopped cooperating. But I did have a well of fundamentals to draw on, and as I discovered, experience and treachery beats youth and vigor eight out of ten times.

During my late 30s I took up golf thinking it would help me develop business. Or something like that. I fell in with a woman pro who told me that if I wanted to consistently shoot in the low 90s or high 80s, I would have to spend the first year taking lessons and hitting practice balls. No actual golf until year two. I suppose any rational person would have said “thanks for nothing” and walked on, but not me. The technique-freak in my grabbed the wheel and I spent the next year taking a lesson a week and hitting 500 balls when I wasn’t. At the end of the year I had the most beautiful swing in twenty-seven counties. It was instruction-tape quality. I also couldn’t hit a ball further than 175 yards with any club. I did finally get on a course and played with indifferent results for the next five years and then gave it  up. I did shoot in the low 80s once and managed to cure some of the distance problem towards the end. Along the way, someone forgot to tell me the part about hitting down on the ball, a bit of technique that would have surely helped.

My first adventures in motorcycling were completely devoid of technique, knowledge, or any sort of thoughtful consideration beyond did I want a Suzuki or a Honda (I bought a 1980 CB750F). If the dealer hadn’t thrown in a helmet, I probably would have left the shop without one. I was living in Hawaii at the time and rode the bike for about nine months, often in sandals, shorts, a shirt, and sunglasses and without the first clue what I was doing. How I managed to get around corners much less stay upright the entire time is a nod to the gods who clearly were holding benign thoughts for me.

After two-plus decades on ice, my moto-itch flared up again and I scratched it with a Ducati Multistrada. The basic instruction program I took ticked a box that allowed me to get a proper endorsement on my license and a break on my insurance but didn’t otherwise make a huge impression on me. I sallied forth, thankfully far better geared than before, wandering down highways and byways while wandering across centerlines without any notion as to why.

The next year I took an advanced rider course. Two-points for me for thinking I needed help: That old technique gene was kicking in. Sadly, and I say this with no disrespect, nothing in the curriculum added to my woefully barren cupboard of understanding and skills needed to make a motorcycle perform properly. It’s just not what the courses are designed to do.

Total Control

During my sojourn in the land of ignorance I began to read voraciously. It wasn’t for lack of a theoretical understanding that I was still straying across centerlines, tiptoeing around corners I knew could be taken much faster, and generally acting like the 50th percentile rider I was. If there’s one thing I can’t stand it’s being average at something I really care about. And I was starting to really care about riding motorcycles well and safely because I really cared about riding. And staying alive.

Lee Parks, the author of Total Control has a healthy ego so I say this cautiously: taking the Total Control class from Puget Sound Safety was like an awakening for me. In a day, it changed everything I knew and thought about controlling a motorcycle. The effect was sufficiently galvanizing that I took the class again and then went the final mile and got certified to teach it. I also starting going to track days, there to take more classes and do more riding under controlled conditions. I read more books. I got certified to teach the absolutely superb SMART method by Bret Tkcas at Puget Sound Safety (Bret is one of the most elegant riders you’ll ever see). I am a man obsessed. I’m also a leagues more proficient rider. I still screw up more than I’d like, but now I know exactly why. I also haven’t taken an unplanned trip across the centerline in two years.

People with natural ability are often dismissive of the pursuit of perfect technique. For them, the moves come naturally and the results flow as if by magic from some hidden inner wellspring. Often these same people make perfectly miserable teachers and coaches. I remember learning how to shoot Olympic Trap, another one for the list. The man who taught me the basics had freakish hand-eye coordination. But once we got past the basics about holding the gun properly, getting set-up, and calling for the target, there was nothing he could offer that helped. All he knew was what I knew: I missed more than I hit.

With all that background I actually have a couple of bits to offer about motorcycle riding and technique.

1. Good technique is the foundation to good and safe riding. I can think of other disciplines where this is true, but only at the highest levels. For example, there are lots of people enjoying themselves out on the golf course while employing bad technique from set-up to follow through. Even on the pro tour knowledgeable eyes spot serious flaws in technique that are overcome by superb skills and natural ability. Those people don’t beat Tiger on Sunday, but they get around and make a good living doing it.

I don’t think the same thing is true about motorcycle riding. Bad technique is a crash waiting to happen. It’s just that simple. This is manifestly true as we get older and slower. It is by the grace of whatever we hold dear that riders of no skill and knowledge make it down the road and back safely.

Out past technique is the promised land where you can do the thing you’ve been practicing with artistry and grace and with no conscious thought. But unless you’re preternaturally blessed, there is no route there except through learning, practice, more practice, and someday mastery.

2. You can’t learn what you need to know from a book. I know, I tried. Despite my abiding interest in technique, I find myself equally suspicious of coaching and training. I can’t really say why as I make my living doing things that sound just like that. Maybe it’s psychological scaring from all those lessons as a youngster. Maybe it’s a deep seated loathing of being seen as less than superbly competent. Whatever. When it comes to something as inherently dangerous as riding a motorcycle on the street, self-taught is a luxury without recommendation. Almost everything about riding a motorcycle is counterintuitive and/or counter to our genetic programming.

We have millions of years of genetics wired to how fast we can walk or run. There’s nothing in there pre-programmed for processing life at 70 mph. In fact, most of our instincts work against what’s needed to anything at that speed.

Genetically we are predators. We have eyes on the front of our heads, just like the big cats. When we see something we want (to eat, to mate with, etc.) we lock onto it to the exclusion of everything else. Our brains do the zillion computations necessary to get us to that target, or to get whatever it is we’re throwing or shooting to the target. If you’ve spent more than an hour on a bike you know how useful that programming can be. You also may know the problems it causes when you become fixated not on where you want to go, but where you don’t want to go.

3. Seemingly little things matter. The more I ride, particularly under controlled conditions, the more I learn how big a difference very small changes make. For example, two days ago at the track, I experimented with relaxing my pectoral muscles while in a turn. I know that sounds weird.

To back up slightly, I was working on getting my body lower and further inside the bike’s centerline by getting my head more down and inside. To do that I had to also move my body back about two inches in the saddle. Once there I found that I could relax my outside arm even further so that it draped on the tank. Literally, just relaxing my outside pec relaxed my arm and the bike would instantly take a tighter line. Wow! What happens if I do the same thing with the inside pec? Same thing?

Vision is another example of this same point. Starting with any book you read or class you take, you’ve been hectored about keeping your eyes up and looking through the turn . . . without any real sense of what that might mean. It turns out there’s a huge difference between looking through the turn and picking out an entry point, apex, and exit point before you initiate your turn. Your brain processes the information in completely different ways. In the first instance, the signal is, “We’re going generally that way.” In the second, the signal is, “We’re going exactly from here, through there, to over there, now make it happen.” And it does.

After one session riding control the other day, a fellow rider came up to me and told me he had been following me the last couple of laps and it had really helped him a lot. I asked him how.

“Watching you, it was like you first got your body completely set to go through the turn and then you took all your awareness and threw it through the turn to where you wanted to go. And then you went there.”

Besides feeling massively complimented I thought it was an interesting way for him to describe what he saw or sensed . . . that idea of moving 100% of your awareness down the road, particularly in technically demanding turns, is the essence of good cornering. In practice, it looks only marginally different to an observer–your helmet is raised up a couple of degrees and turned more and sooner–but the effect on your confidence, stability, and control are like night and day.

Like Water Falling

That same day I was giving some riders some last minute coaching before we went out for the last session of the day. The fear of anyone teaching or riding a track-day is that tired riders will lose their minds, stop concentrating, and wad up their bikes minutes before they pack up for home. It happens like that on the last ski run of the day. So I was counseling people to relax, be smooth, and concentrate on using just one skill from the day.

“Stay focused. Just pick one thing.” Speaking now to someone particular, I said, “For you, just make it about keeping your arms loose and your elbows pointed out. If you do that, that means that your upper body is relaxed, your body will be low and inside the bike’s center line. Your head will have to be turned. It will all happen if you just focus on that one thing . . . soft arms.”

That’s when she said it.

“That’s easy for you to say. Watching you ride is like watching water fall. You’re just so smooth and effortless out there.”

In my mind, I’ve got buckets more learning and honing to do. But for the technique freak in me, there couldn’t be any higher praise. If she only knew.

Blogged with the Flock Browser

Tags: , , , , , ,

  • Digg
  • del.icio.us
  • Technorati
  • StumbleUpon
  • NewsVine
  • Facebook
  • Google
  • Live

Tags: Rants and Raves

2 responses so far ↓

  • 1 Confessions of a Technique Freak - PNW Riders // Jun 29, 2008 at 4:34 pm

    [...] of a Technique Freak This originally appeared in http://www.midliferider.com "Watching you ride is like watching water fall." As a technique freak, it might be the [...]

  • 2 admin // Jun 30, 2008 at 5:25 pm

    A friend had this to say . . .

    Great story! This resonates powerfully with me. I’ve been a technique freak all my life, and share an eerily similar pursuit of multiple challenges.

    For me, it began with playing drums and percussion instruments. Where most drummers just go buy a drumkit and start banging on it, at age eleven I bought a pair of sticks, a rubber-topped practice pad and a rudimental drumming book and spent the first two years doing nothing but learning to control the sticks and my hands. I learned the 26 standard drum rudiments, then practiced them in every combination imaginable, always starting slow and working my way up to 160bpm or faster. This devotion to stick control and technique eventually got me into the Juilliard School.

    Not long after I got into canoeing, first flatwater, then whitewater. As with drumming, I was a technique freak and spent countless hours mastering a perfect J-stroke, draw strokes, crossdraws, sweeps, prys, etc. It wasn’t long before I discovered the C-1, which is a decked slalom racing canoe indistinguishable (to non-paddlers) from a kayak. I spent thousands of hours training on the Feeder Canal in Washington, D.C. along the Potomac River with some of the best whitewater slalom racers in the world. The sport was all about whitewater…but we’d spend hours just isolating a single upstream slalom gate in an eddy and practice achieving the perfect boat angle and trajectory and perfect blade placement coming into the gate. Over and over and over. The payoff? On relatively easy class 3 whitewater, I would execute moves that guys who regularly paddled class 5 rivers couldn’t do…and it embarrassed the hell out of them! I wasn’t doing anything special…I just knew how to precisely control my boat, and they didn’t (they tended to float through rapids, hoping to emerge right-side-up at the bottom).

    Over the next decade, I applied the same fanaticism for technique to flyfishing (for trout, bass, and seafish), even building my own rods and tying all my own flies…and spending hours in the backyard with a tuft of thick yarn tied on my leader, casting to various targets…reading and re-reading books by Lefty Kreh and Ed Jaworowski about casting technique…even interviewing Lefty Kreh at his home in Cockeysville, MD for a documentary and getting a private lesson with him…then taking every opportunity to practice casting on ponds, lakes, rivers, beaches, and more grass fields and backyards.

    All of the above applied to hang gliding…then snowboarding in hardboots on an alpine carving board…and finally motorcycling. I’m far from an expert at motorcycling…but for a “n00b” I’ve done pretty well, with 50,000+ accident-free miles in 2-3 years of riding.

    One thing I’ve learned from all these things is that learning technically-challenging sports is a lot like learning languages: the more of them you master, the easier subsequent sports are to learn (which is not to say they’re easy, just easier). A willingness to “Zen-out” on the basics is key, along with the mindset and/or personality to not get bored repeating the same rudimentary moves or gestures over and over until they become second-nature.

    I also think that when you approach a new sport from the bottom-up and take all that time to master the basics…the idea of not doing that when you learn something new seems ludicrous and dangerous (it does to me, anyway).

    I’ve known people over the years who got pretty expert at things just by “hurling themselves into the deep end” repeatedly, crashing and burning repeatedly…and eventually figuring it out that way. I guess that approach mirrors a different personality type, ’cause it always struck me as the hard way to go!

    Carl

You must log in to post a comment.